Sonntag, 22. Oktober 2017

One more week to NaNoWriMo - My project!


Story:

Manastorm (The Quickening, Book 1)


Genre:

Urban Nightmare/Urban Grimdark/Dark Erotica


Checklist:

  • Worldbuilding: 65% of a targeted 65%
  • Characters: 80% of a targeted 80%
  • Story Outline: 100% of 100% (Rough Draft)
  • Scene Outlines: 80% of a targeted 80% (Bullet point descriptions)
  • Mapping and Timelines: 80% of a targeted 100%

Freitag, 20. Oktober 2017

Pretentious Blog - Tutorial: How to make your own fictional city using Google Maps

NaNoWriMo is coming! <Jon Snow Face>

I'm plotting and outlining like the madwoman I am, wooooo! I've always been a sucker for new ideas and ways to do things, so I've been using this opportunity to try out as much new stuff as possible. Since I've always wanted to finally find a way to add a certain realism to my settings, I had a look around for ways to plot a scene setting with real life maps. This is how I stumbled upon the following blog entry: It describes how to use Google Maps to create your own fictional setting/city/landscape and use real life maps to get the dimensions, distances, elevation, waterways, and so on, right.

I've been going wild on my own personal map ever since. Sorry Phoenix, Arizona, but you're mine now. :D

If you'd like to check out the tutorial yourself, just follow the link! Just be reminded that Google Maps has had some redesigns and you'll have to look a bit to find your custom map options.

Here's the Article:



Samstag, 16. September 2017

I don't like Omegaverse. Here's why.

Hello my lovelies!
While I've been busy editing and revising "Unwilling" and "Moonrise", I spent a few evenings reading books from genres people mentioned to me. A good author knows what people are talking about, right? One comment in specific confused me: One reader gave "Unwilling" 1 star, saying that he (or she?) felt betrayed because I hadn't used the term "Alpha" correctly and he/she felt tricked. I had no idea what he/she meant by that, so I went out and bought some books mentioning Alphas or Omegas.
For those of you unfamiliar with words like Omegaverse or Alpha-romance, please visit this link to get a more detailed description!

When I started reading m/m (or boyslove) novels, the m/m genre offered me an escape. With two men in a relationship, authors were able to shake off the standard dynamics between the genders and be free to do whatever the heck they wanted their characters to do. Two "alpha males" (brrrrrgh) could end up in a relationship, as could two nerds, two Joe Blokes could get kinky, a power couple was just as interesting as a houseman/working father couple adopting African orphans. There were no set roles and therefor every opportunity to do something new. And to women readers, it was easy to imagine themselves in this new dynamic and rejoice.
Then along came the Omegaverse genre.

Now, I'm not adverse to kink. I've had enough forays into dub-con and shifter sex myself and I understand the allure of something like predisposed gender roles. It's titillating to watch someone struggle against his genetic programming, even though the reader already knows he will fail and find his place no matter how much he fights it.
After the sixth or seventh Omegaverse novel, something stood out to me though: switch the Omega with a girl and you have het romance.
To me, this is just sad. I switched to m/m because I was bored to death with het romance and the depiction of women in those stories. Fainting, helpless little flowers who bitch and moan and angst away and get dragged around as they scream for help, or break out in tears and run because some dude did something even slightly inconsiderate. Then drama, making up, kissy kissy, the end.

It's sad because there is so much you could do with genetic predisposition. So many opportunities are being overlooked!
Back in 2011 when I started writing "Unwilling", the word "Omegaverse" didn't exist yet. I just wanted to write something a little different from "the usual werewolf flick", to try my hand at the same theme and put a different spin on it. I was excited that so many people liked it, but now that I'm thinking about publishing the story as an e-book, I'm having a hard time deciding on a genre. "Shifters" is almost as prone to prejudice as "Alpha romance", and since you, dear readers, seem to have either learned to skip any and all story that carries even a hint of maybe containing shifters or beings declared as "Alpha", or expect the story to be about archetypical power exchanges, this whole "Omegaverse" hype is making me rather grumpy.

No matter how well an "Omegaverse" themed novel is written, I don't like it. And I, oh, so hate how popular that genre has become, because it pushes aside the kind of werewolf-stories I actually enjoy. In my opinion, the distinction between "Shifters" and "Omegaverse" should be more explicit. One should be about what the name implies, meaning shifters in each and every constellation the human mind can come up with (and with no rebukes for using words like "Alpha" or "Omega"), whereas the other should be only about het-with-an-m/m-spin plots.
Unfortunately, to get there, authors would have to abstain from using each and every category even remotely connected to their theme. Readers draw connections between the chosen genre/category a book they like has been placed in and its contents. They understandably get angry when after ten books from the "Shifters"-category, the eleventh suddenly doesn't have the constellations they liked most. Problem is, that eleventh book gets a one-star-review, no matter how well written and interesting it may be, and it's all because of this habit of mixing categories.

I personally would rejoice in a clearer distinction of what category a book is placed in. What do you think? Do you enjoy Omegaverse? Do you hate it? What about Shifters stories? For both: Why?
Maybe you can help me come up with a solution for my situation :)

Love,
Hannah

Freitag, 14. Juli 2017

My favorite quote by Kurt Vonnegut

"Now lend me your ears. Here is Creative Writing 101:
  1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
  2. Give the reader at least one character he or she can root for.
  3. Every character should want something, even if it is only a glass of water.
  4. Every sentence must do one of two things—reveal character or advance the action.
  5. Start as close to the end as possible.
  6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of.
  7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
  8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages."
- Kurt Vonnegut (Source)

Donnerstag, 6. Juli 2017

Meanwhile in Austria: Animal Protection Act

... or: The total chaos of politics, man!
I'm sorry for going "off-topic" today, but the things that have been going on in Austrian law just make me so, so angry! Please forgive me, but I have to share this.


Sonntag, 2. Juli 2017

Smashwords Summer Sale - Shapeshifter

WOOHOOO!
Smashwords started its annual Summer Sale and I'm in!
Get "Shapeshifter" for Free from the 1st to 31st of July, and it's easy too - just use the code SSW75 at checkout and you're done. :)


It's not the end - New Website!

This is the last time I change URLs, I promise :D There are just things I missed on this blog, things I couldn't do but dearly wanted ...